<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-4374671925886580441</id><updated>2009-02-21T02:15:52.073-08:00</updated><title type='text'>CreatingMusic4U</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://creatingmusic4u.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default'/><link rel='alternate' type='text/html' href='http://creatingmusic4u.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>creatingmusic4u</name><uri>http://www.blogger.com/profile/13377230335222472249</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>6</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4374671925886580441.post-2646989595625282902</id><published>2007-09-07T22:49:00.000-07:00</published><updated>2007-09-07T23:30:48.339-07:00</updated><title type='text'>Differences between Canadian and American music terms</title><content type='html'>Leading note or leading tone? In Canada, you'll hear the term &lt;em&gt;&lt;strong&gt;leading &lt;/strong&gt;note&lt;/em&gt; to refer to the seventh scale degree. In the U.S., you'll hear the term &lt;em&gt;&lt;strong&gt;leading tone&lt;/strong&gt;&lt;/em&gt;. It's only a small difference, but a difference, nonetheless. &lt;br /&gt;   When I first moved to Canada from the U.S., I was confused by the Canadian system for naming chords. For example, a C Major chord, symbolized as &lt;strong&gt;C+ &lt;/strong&gt;in Canada, means a C &lt;em&gt;&lt;strong&gt;augmented &lt;/strong&gt;&lt;/em&gt;chord in the U.S.! (An augmented chord in Canada is symbolized as &lt;strong&gt;Cx&lt;/strong&gt;). A C minor chord is symbolized as Cm or cm in the U.S. but becomes &lt;strong&gt;C-&lt;/strong&gt; in Canada. Fortunately the two countries have agreed about what to call a diminished chord, either C dim or C with a small "o" placed in the upper half of the chord name).   &lt;br /&gt;  Having studied music in both countries, I have also noticed that Canadians from the U.K. call quarter notes, crochets and eighth notes, quavers. Then it suddenly struck me that, back at college, we used to refer to the sixty fourth note as a hemisemidemiquaver! (Students think they're &lt;em&gt;&lt;strong&gt;very clever &lt;/strong&gt;&lt;/em&gt;when they can use this term. It's right up there with "supercalifragilisticexpialidocious!")  &lt;br /&gt;  If any of you discover other differences, please respond to this blog! Also check out my website at &lt;a href="http://lauraweed.com"&gt; lauraweed.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4374671925886580441-2646989595625282902?l=creatingmusic4u.blogspot.com'/&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://creatingmusic4u.blogspot.com/feeds/2646989595625282902/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4374671925886580441&amp;postID=2646989595625282902' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/2646989595625282902'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/2646989595625282902'/><link rel='alternate' type='text/html' href='http://creatingmusic4u.blogspot.com/2007/09/differences-between-canadian-and.html' title='Differences between Canadian and American music terms'/><author><name>creatingmusic4u</name><uri>http://www.blogger.com/profile/13377230335222472249</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='07608619530661109101'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4374671925886580441.post-784932957319115175</id><published>2007-08-25T18:52:00.000-07:00</published><updated>2007-08-25T19:09:36.067-07:00</updated><title type='text'>Augmented chords</title><content type='html'>Augmented chords are used sparingly, as they stand out like a sore thumb! For more info on the use of chords, click on the Free Tips tab at the website &lt;a href="http://www.lauraweed.com"&gt; Laura Weed.com &lt;/a&gt; In major keys, there are no naturally occuring augmented chords. But, it is interesting and effective to use a I chord (C, E and G in the key of C Major, for example) followed by an augmented I chord (C, E and G#) and then resolve to a IV chord (voiced C, F, A). Augmented chords only occur in the III chord in minor keys. As with diminished chords, you decide whether or not you want to use them as you are &lt;strong&gt;creatingmusic4u!&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4374671925886580441-784932957319115175?l=creatingmusic4u.blogspot.com'/&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://creatingmusic4u.blogspot.com/feeds/784932957319115175/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4374671925886580441&amp;postID=784932957319115175' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/784932957319115175'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/784932957319115175'/><link rel='alternate' type='text/html' href='http://creatingmusic4u.blogspot.com/2007/08/augmented-chords.html' title='Augmented chords'/><author><name>creatingmusic4u</name><uri>http://www.blogger.com/profile/13377230335222472249</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='07608619530661109101'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4374671925886580441.post-4318571007629281831</id><published>2007-08-25T18:35:00.000-07:00</published><updated>2007-08-25T19:08:46.743-07:00</updated><title type='text'>Diminished chords</title><content type='html'>Diminished chords are used sparingly (except for ultra modern composers!)because of their harsh sound. For more info on the use of chords, click on the Free Tips tab at the website &lt;a href="http://www.lauraweed.com"&gt; lauraweed.com &lt;/a&gt; &lt;br /&gt;In major scales, they are only found in the VII&lt;br /&gt;chord and should resolve to the I chord, (though some songwriters like to move from the VII chord to the V chord before resolving to the I chord). In minor scales (using a raised leading note), diminished chords are found in both the II and VII chords. Be careful to resolve them to I as quickly as you can (unless you purposely are wanting to call attention to your powerful lyrics). Diminished chords sound like train whistles to me, so I, personally, use them sparingly. When &lt;strong&gt;creatingmusic4u&lt;/strong&gt;,decide whether you want to include a few diminished chords in your songs or leave them out all together. There is no right or wrong answer here. It's totally up to you!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4374671925886580441-4318571007629281831?l=creatingmusic4u.blogspot.com'/&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://creatingmusic4u.blogspot.com/feeds/4318571007629281831/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4374671925886580441&amp;postID=4318571007629281831' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/4318571007629281831'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/4318571007629281831'/><link rel='alternate' type='text/html' href='http://creatingmusic4u.blogspot.com/2007/08/diminished-chords.html' title='Diminished chords'/><author><name>creatingmusic4u</name><uri>http://www.blogger.com/profile/13377230335222472249</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='07608619530661109101'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4374671925886580441.post-1113228738958082522</id><published>2007-08-25T18:24:00.000-07:00</published><updated>2007-08-25T18:35:08.350-07:00</updated><title type='text'>Minor chords</title><content type='html'>Minor chords or secondary chords add their own distinct "color" to harmonies. Using a major scale, the II, III and VI scale degrees are all minor chords. &lt;br /&gt;   The III chord moves naturally to VI, but progressions become much more interesting when they are combined with major chords. Some possible combinations are: I- III-VI-IV-V-I or I-IV-II-V-III-VI-V-I. For more info on Harmony 101, click on Free Tips while visiting the website &lt;a href="http://www.lauraweed.com" &gt;lauraweed.com &lt;/a&gt; &lt;br /&gt;   As you experiment with chord progressions, you're sure to find a combination (or two or three!) that you'll enjoy using while &lt;strong&gt;creatingmusic4u. &lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4374671925886580441-1113228738958082522?l=creatingmusic4u.blogspot.com'/&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://creatingmusic4u.blogspot.com/feeds/1113228738958082522/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4374671925886580441&amp;postID=1113228738958082522' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/1113228738958082522'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/1113228738958082522'/><link rel='alternate' type='text/html' href='http://creatingmusic4u.blogspot.com/2007/08/minor-chords.html' title='Minor chords'/><author><name>creatingmusic4u</name><uri>http://www.blogger.com/profile/13377230335222472249</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='07608619530661109101'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4374671925886580441.post-2969887657321920048</id><published>2007-08-24T21:22:00.000-07:00</published><updated>2007-08-24T21:35:18.679-07:00</updated><title type='text'>Major chords</title><content type='html'>Major chords sound great! And there are literally &lt;span style="font-style:italic;"&gt;thousands &lt;/span&gt;of songs using only I, IV and V chords!&lt;br /&gt;A I chord in C Major contains the notes C, E and G. Count up four scale tones (C, D, E, F) so the IV chord contains the notes F, A and C. The V chord contains the notes G, B and D. Further explanations of major chords can be found in the Free Tips section of &lt;a href= "http://www.lauraweed.com"&gt; lauraweed.com &lt;/a&gt;  &lt;br /&gt;&lt;br /&gt;The I chord is the strongest chord as it establishes the major key. The V chord is the next strongest and wants to resolve to the I chord. The IV chord can either move to the I chord or to the V chord.&lt;br /&gt;&lt;br /&gt;Possible combinations of I, IV and V chords are: I, IV, V, I or I, V, IV, I or&lt;br /&gt;I, IV, V, IV, V, I. Of course, it is much more interesting to add the minor chords to the progressions...which I'll do in the next blog. Feel free to add your comments and keep &lt;span style="font-weight:bold;"&gt;creatingmusic4u! &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4374671925886580441-2969887657321920048?l=creatingmusic4u.blogspot.com'/&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://creatingmusic4u.blogspot.com/feeds/2969887657321920048/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4374671925886580441&amp;postID=2969887657321920048' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/2969887657321920048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/2969887657321920048'/><link rel='alternate' type='text/html' href='http://creatingmusic4u.blogspot.com/2007/08/major-chords.html' title='Major chords'/><author><name>creatingmusic4u</name><uri>http://www.blogger.com/profile/13377230335222472249</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='07608619530661109101'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4374671925886580441.post-8281950453139559500</id><published>2007-08-24T20:41:00.000-07:00</published><updated>2007-08-24T21:17:02.801-07:00</updated><title type='text'>Getting started writing music</title><content type='html'>Whether you're sitting in a basement with your guitar and some manuscript paper or using a &lt;span style="font-weight: bold;"&gt;MIDI&lt;/span&gt; keyboard with a music software program, here are some ideas to help you get started &lt;span style="font-weight: bold;"&gt;creating music4u!  &lt;/span&gt;For a more in depth look at melody or harmony writing, click the Free Tips section of &lt;a href="http://www.lauraweed.com"&gt; LauraWeed.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;1) Create a melody using interesting rhythms and a variety of steps, skips and repeated notes.&lt;br /&gt;2) Add harmony. Repeating chord progressions add unity to your piece, but overusing chord progressions is overkill! For example, playing I - VI - IV - V  forty times will drive your listeners crazy (unless you're playing a duet of &lt;span style="font-style: italic;"&gt;Heart and Soul!&lt;/span&gt;)    &lt;br /&gt;3) Test your song in a friendly environment of friends or family before rushing off to a recording studio! &lt;br /&gt;4) Learn as much as you can about songwriting, write lots of songs, listen to lots of songs and have fun creating music4u!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4374671925886580441-8281950453139559500?l=creatingmusic4u.blogspot.com'/&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://creatingmusic4u.blogspot.com/feeds/8281950453139559500/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=4374671925886580441&amp;postID=8281950453139559500' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/8281950453139559500'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4374671925886580441/posts/default/8281950453139559500'/><link rel='alternate' type='text/html' href='http://creatingmusic4u.blogspot.com/2007/08/getting-started-writing-music.html' title='Getting started writing music'/><author><name>creatingmusic4u</name><uri>http://www.blogger.com/profile/13377230335222472249</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='07608619530661109101'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>2</thr:total></entry></feed>